I'm reading
The Late Shift, about the Letterman/Leno battle for the Tonight Show back in ye olde 90s. I can't stand Leno. I've wanted to read this book for years, but due to my inability to tolerate Leno (would the medical term be Leno-intolerance?), I long put it off. I finally decided to give it a go.
I'm almost 50 pages in and it's given a bit of biography backstory for both Dave and Jay. I've found some musings on Jay amusing, even if they were not supposed to be. Like this:
When Lassally would sit in his office talking to Leno, he could see that the comic had trouble expressing his feelings. To Lassally, this necessarily limited Jay as a host because it made his comedy material more mechanical and his interviewing style stilted. Lassally had worked in television a long time - more than twenty years for Carson - and he felt he had developed a true eye for talent - as well as for people. Lassally spent a lot of time with Jay looking for the real person inside to emerge; but he could never find it.Jay is described as writing, writing, writing jokes all the time. And also mentions how he initially managed to use up all his good material when he was a guest on Carson in the 70s VERY quickly after only a few stand up appearances - material deteriorating in quality worse and worse each time until after like 5 shots, he wasn't invited on anymore. It really just hammers in how inhuman Leno is. With his standup, he worked hard not to offend people. I think that just makes him a bland creep, who cares about nothing except for working and cars. And rudely stealing shows from Conan O'Brien.
As for how this all makes him 7,000 times more creepy to me than Letterman - who it's mentioned was a philanderer in his early days as well, I don't know. I love Letterman.
Some more passages of interest to myself:
For all his outward warmth with people and his easy approachability,Leno seemed to distance himself emotionally from everyone around him, even close friends. He even disdained the idea of having emotions. If people complained about being under stress, Jay said 'what does that mean, stressed? I've never been stressed.' When a comic friend, Carol Leifer, was going through a tough period in her life and told Jay she was depressed, she asked Jay what he did when he got down. 'Down?' Jay
asked, as though the word belonged to a foreign language. 'I've never been down.' A Tonight show staff member said 'there is no term describing a psychological state that Jay relates to. He's not in touch with his
emotions at all....
Listed among Conan O'Brien's limited performing experience "
a few appearances in industrial films on behalf of a company selling musical instruments"
i know conan is into the music man and all but... lol. I want to see these, they must exist somewhere.
At Saturday Night Live "
O'Brien pestered Lorne to use him in sketches" <3
Matt Groening on Conan's time as a writer at the Simpsons, and his potential as a performer "
He can keep a roomful of seething, self-hating, resentful comedy writers laughing for minutes on end, he does a lot of schtick and runs around the room. It first makes you laugh, then gets annoying, then exasperating, and then comes full circle and makes you fall out of your chair."About Conan's audition for Late Night
"O'Brien noted that he didn't get to talk to that many attractive women. He said he lived upstairs from a model and that the extent of their relationship was his leering at her.When Rogers talked about posing for Playboy and said she had done it in a "classy way," Conan replied "So you're wearing a top hat and reading The New Yorker?"
During a press conference before Conan took over the show "
When someone asked how it felt to get such a prominent job as a 'relative unknown', Conan said in mock outrage 'Sir, I am a complete unknown!'"
Irony... Jay talking about the situation vs. Letterman
"It's so odd for me to wind up being the bad guy in a situation"
...
"Jay himself is the problem. These critics said Jay frequently failed to maximize the comedy material. They reported that the writers were frustrated at times because Jay didn't present the material as written. He had a habit of messing up the premises for some material so that the jokes that followed couldn't possibly pay off fully.
...
Some of the writers whispered to some Burbank executives that all comedy material beyond the monologue had to be simplified so that Jay wouldn't get an element twisted and undo the joke."